There鈥檚 an old movie adage that says you should never work with children or animals. Nor astronauts, apparently. It鈥檚 their egos you see: they always get in the way. And despite 鈥榮 half-hearted denials, there are family members, friends and colleagues lining up to attest to the overwhelming strength of his character. Not that Cernan isn鈥檛 a likeable chap, he most certainly is, but he was man who knew what he wanted and what he鈥檇 have to do to get there. Which sometimes meant leaving those who cared about him trailing in his wake. 鈥淚f you think going to the moon is hard, you should try stayin鈥� home,鈥� says his ex-wife Barbara Cernan Butler. In the end she told him 鈥淚t鈥檚 your life, it鈥檚 what you want. But I don鈥檛 want it.鈥� And Cernan became one of the . 鈥淲e were unfair,鈥� he admits, 鈥渟elfish鈥�. But they got where they were going.
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And his story, The Last Man on the Moon, goes some way to explaining how the life of an astronaut in the ideological midst of the Space Race, was always going to be incompatible with being a regular family guy. There was the danger: once, spacewalking on the Gemini 9 mission, Cernan was stuck outside his capsule. 鈥淚 was helpless,鈥� he admitted, and his vital signs were 鈥渄riving the doctors bananas鈥�. There was the exhilaration: Cernan travelled faster than any other human when his Apollo 10 capsule reached 24,791 miles per hour in 1969.
And there was the inevitable tragedy. It鈥檚 impossible not to be moved by Betty Grissom 鈥� wife of Virgil Grissom and friend and neighbour of the Cernans 鈥� as she describes the moment she heard her husband had died in .
Strangely, the director has chosen to use some faked shots of Gemini, Apollo and their launch vehicles in space. Considering the subject is both well documented and photogenic it seems an odd decision, unless audiences today really prefer mockumentary to a true story. The real stuff will always be much stronger than Hollywood-style mock-ups. In fact the stills photography sometimes outshines the movie images.
But this misplaced fakery doesn鈥檛 detract from what really happened in space. Cernan may have rehearsed his lines down the years, but they still deliver: 鈥淢y failures taught us how to do it right,鈥� he says of his Gemini 9 exertions. And he concludes that 鈥渋t wasn鈥檛 just America going to the moon, it was the world鈥�. For him to appreciate this point, and outgrow the 1960 cold-war ideology which dictated so many of his choices, is no small achievement in itself. Yet that competitive edge still shines through. A sequence where he鈥檚 shooting the breeze with his old friend and colleague Fred 鈥楤aldy鈥� Baldwin, a former fellow navy pilot, verges on the schoolyard, their banter almost childish as they fight to point out who was the better at everything they tried. At the same time, Cernan shows he can be as vulnerable as the next guy. When he reads aloud the letter he wrote to his daughter before his moonflight, the emotion is still raw.
You could pass him on the street and never notice him. Which is why his story 鈥� one of obvious achievement, but more than anything, one of derring-do 鈥� needs to be told, before there are no Apollo astronauts left to recount their experiences. Only 12 men walked on the moon and Eugene Cernan was the last to leave. One day he鈥檒l be superseded, but nobody knows when that will be. And so for now he remains 鈥渢he last man鈥︹��
The Last Man on the Moon, directed by Mark Craig, is released in UK cinemas on 8 April.
