杏吧原创

1970s science follies look groovy in a new light

Why define science by its great works? Events taking place at its fringes are just as revealing
dolphin man
A good idea at the time? John Lilly鈥檚 attempt to talk to dolphins
Bill Curtsinger/National Geographic Creative

IT HAPPENED before, of course. At the end of the 19th century, Victorian spiritualists challenged the strictures of science, driven by the hope of establishing a richer fabric of reality. The leavings of that movement 鈥 N-rays, mitogenetic rays, Joseph Banks Rhine鈥檚 newly minted extrasensory perception, and many others 鈥 are patently pathological, but all, in the first heady days, represented legitimate pathways of enquiry.

Book cover of Groovy Science

At least as much can be claimed for the 鈥済roovy science鈥 that held sway a generation later. Think of John Lilly鈥檚 attempt to communicate with dolphins (with its obligatory diversion through LSD), the parapsychology studies of physicist Peter Phillips, and Immanuel Velikovsky鈥檚 鈥渃atastrophism鈥.

This, at any rate, is the argument of Groovy Science, though the task of evaluating the intellectual and cultural worth of these escapades is anything but easy. While the military-industrial complex is entertaining (and funding) experiments in sensory deprivation, dolphin training and space colonisation, we may as well abandon any attempt to distinguish between the establishment and its counterculture. Indeed, look hard and you will find that there is no counterculture 鈥 only a loose overlapping of opposed subgroups, each with its own expectations, each interacting rather warily with the others. Psychologist Abraham Maslow lectured at Esalen, a retreat in Big Sur, California, but kept away from the New Age movement that Esalen spawned; psychedelia鈥檚 champion Timothy Leary and space-colonisation prophet Gerard K. O鈥橬eill shared almost nothing beyond their avid readership.

The explorations and experiments discussed here hardly rivalled the mainstream breakthroughs of the time (recombinant DNA, the quark model, the creation of buckminsterfullerene) 鈥 but their prevailing ethic of curiosity and iconoclasm had a historical influence that this volume, unexpectedly, sells rather short. There is, to pick the most glaring example, no discussion of the homebrew computing scene, which appeared in the early 1970s and led to the development of the personal computer.

鈥淲e may as well abandon the distinction between the science establishment and its counterculture鈥

Less obvious, but equally odd, is the way the book satirises the picture of the scientist as 鈥渁 white-coated man in a laboratory, bald, tired, and unfit to marry鈥, but then singularly fails to celebrate very many non-white non-males. Yes, there are cameos about natural childbirth and cheesemaking, but given the huge societal changes taking place at the time 鈥 the women鈥檚 liberation movement, the Black Panthers, Stonewall 鈥 I expected more. If these huge segments of society were really not involved in 鈥済roovy science鈥, their wholesale absence might well be the subject for another, as-yet-unwritten book.

Reading Groovy Science leaves the reader enthused, but daunted at the work still to be done. The authors鈥 chosen focus on the US leaves whole traditions of 鈥済roovy science鈥 unexamined. (Explorers Thor Heyerdahl and Michel Siffre are conspicuous by their absence.)

This compendium of individual scholarly articles is a trove of information, and the references are useful and exhaustive. But the prose of several of these pieces wobbles uncertainly between the academic and the popular, as if a community of scholars was not quite ready to distil its research into a mainstream account.

That account is, for my money, well worth looking forward to. In the meantime, we have this frustrating but always enthralling archaeological travel guide to an epoch that, although only 40 years old, already feels like an alien continent.

Edited by David Kaiser and W. Patrick McCray

University of Chicago Press

This article appeared in print under the headline 鈥淩evolutionary, and wrong鈥

Topics: Books and art / History