杏吧原创

Futuristic artwork captures sounds to celebrate famous airfield

A futuristic sound sculpture at the UK鈥檚 Imperial War Museum鈥檚 Duxford site tells 100 stories - using technology invented by Alexander Graham Bell
art Duxford
Chasing rainbows: Duxford鈥檚 history is conveyed on beams of light
IWM

THERE are many stories at the Duxford airfield, Cambridgeshire. How it served British and American military interests for 100 years. Why Alexander Graham Bell wanted to call his daughter Photophone. How a technologist in Tasmania came half way round the world to the UK, only to discover that the technology he was developing was being used to send messages between mountaintops in 鈥 of all places 鈥 Tasmania.

Luckily for me, I鈥檓 being shown around , by its creator , a sound artist who is good at making sense of complicated stories. It was Ryan who recreated the soundscapes of the Yangtze river and . He also incorporated the orbits of 27,000 pieces of space junk into a musical instrument called Machine 9.

DX17 is made of netting stretched over a steel skeleton. It鈥檚 an aerodynamic abstract with protrusions that suggest design elements from iconic aircraft.

The first thing you notice are the lights: the sculpture is filled with 100 spotlights, their beams playing through the mesh of the sculpture and onto the floor. Yet DX17 contains more sound than vision. Hidden in each beam is a sound recording selected by the Imperial War Museum 鈥 some originals, others documents read by Duxford staff and volunteers. Together, they celebrate the base鈥檚 100 years of aeronautical activity.

Weaving these recordings comprehensibly through an object no bigger than a Spitfire was a technical challenge. Ryan and his project partner opted to use light after deciding that digital solutions were clunky and historically inappropriate.

鈥淰isitors press their 鈥榣ight-catchers鈥 to the sculpture, or catch beams projected onto the floor鈥

Each light shines a flickering beam through the mesh of the sculpture 鈥 a sound signal carried on light. 3D-printed handsets with a lens at one end turn the signal back to audio, and play it through headphones.

Visitors can press their 鈥渓ight-catchers鈥 to illuminated spots on the sculpture, or catch beams projected from the sculpture onto the floor. Here and there, two beams intersect, and through your headphones, two audio samples blend. As you step away from a light source, the voice in your headphones 鈥 an airman鈥檚 memoir, instructions to ground staff, a loved one鈥檚 letter, a child鈥檚 recollections 鈥 slowly fade.

It wasn鈥檛 until they were testing their system that Malikides came across the pre-history of this 鈥渓i-fi鈥 tech. Alexander Graham Bell invented it, using sunlight and a deformable mirror to send sound information across space. In 2005, enthusiasts in Tasmania used a similar system to signal between mountaintops some 160 kilometres apart.

Bell considered the photophone more important than the telephone and wanted to name his daughter after the invention. His wife persuaded him that Daisy would be kinder.

There are many stories here. Good hunting. Fade to black. Transmission ends.

This article appeared in print under the headline 鈥淧lane speaking鈥

Topics: Books and art / Flight