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Small Spaces in the City review: Can we thrive in a smaller future?

As we increasingly live in cities, tiny apartments are likely to become the norm. A new exhibition has clever space-managing ideas – but also stark warnings about the health challenges ahead
Takeshi Hosaka’s micro-home, Love2 House, in Tokyo, features in the Small Spaces in the City exhibition.
Š Takeshi Hosaka

ROCA London Gallery, until 16 March 2024

“Cook’s at it again,” reads one Antarctic station log entry from the 1970s. “Threw a lemon pie and cookies all over the galley… then went to his room for a couple of days and wouldn’t come out… no clear reason… probably Antarctictites catching up…”

It isn’t just the behavioural challenges induced by small spaces that give designers pause, as they contemplate our ever-more constrained future, there is our health to consider.

Damp, mould and other problems endemic to small spaces aren’t so easily addressed, especially in cities, where throwing open the windows and letting in air filled with particulates, spores, moulds and pollen can make matters measurably worse.

In December 2020, 9-year-old Ella Kissi-Debrah, who lived next to London’s South Circular road, became the first person in the UK to have air pollution listed as a cause of death – in a second inquest, seven years after she died.

So, given we in cities,  how exactly are we to live and thrive in the spaces they afford us? Curator Clare Farrow’s new exhibition, Small Spaces in the City: Rethinking inside the box, at the ROCA London Gallery, brings together ideas and designs from around the world.

She presents an interview with Hong Kong-based Gary Chang, whose (just 32 square metres) currently boasts 24 different “rooms”, assembled by manoeuvring a system of sliding walls, and a specially commissioned film in which William Bracewell, a principal with London’s Royal Ballet, performs (somehow) in the tiny dressing room-cum-costume store he shares with two other dancers.

Farrow has also brought in Richard Beckett, an associate professor at the Bartlett School of Architecture at University College London (UCL) and author of Probiotic Cities (Routledge). For a few days, he was based in a booth at the centre of the exhibition to draw attention to the health challenges of “studio living”.

Beckett reckons we should be using microbes to make our buildings healthier. As he explains in a forthcoming paper (in press) entitled “Architecture for the halobiont: Designing probiotic interventions” in the journal :  “As the built environment is now the predominant habitat of the human, the microbes that are present in buildings are of fundamental importance.” Alas, as he goes on to emphasise, contemporary buildings are microbial wastelands – dry, nutrient-poor and sterile.

In 2020, Beckett from the Royal Institute of British Architects for embedding beneficial bacteria into ceramic and concrete surfaces. At the ROCA gallery, his booth is dosed with this material, while , an immunologist also at UCL, uses regular blood samples to measure whether tile-borne probiotic species can survive long enough, and spread easily enough, to become part of Beckett’s personal microbiome.

“The official study will have to take place in a more controlled way after the exhibition’s finished,” admits Beckett, “but at least my spell in the booth is a bit of theatre to demonstrate what we’re up to.”

He explains the work is vital, since it runs so counter to prevailing notions concerning hygiene and cleanliness. “One immediate application of our work is in hospitals and care homes,” says Beckett, “where super-sterile environments have ended up providing ideal breeding conditions for antibiotic-resistant bacteria. Of course, the first question we will be asked when offering to clad a space with our tiles is, ‘How do you clean them?’”

Beckett’s booth was tiled with what look like worm casts: these are lightly baked ceramic tiles, designed to shed bacteria into the air with every passing motion. Their peculiar surface is deliberately tantalising – touching them helps spread the healthy biota, hopefully filling sterile interiors with sustainable microbial ecosystems.

“There’s still much that we don’t know about how microbes interact with each other and with our environment,” says Beckett, who is realistic about the time it will take for us to abandon the 20th century’s wipe-clean aesthetic and embrace the stain. “This work will prove its worth in small interiors first.”

Topics: cities